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What will I learn on a Vivid Adventures Tour?
The whole Vivid Adventures Tour will be a learning experience.
We
have sought to catalog the sort of things you will learn about to help
you get a feeling for how beneficial it will be. If you have any
specific objectives these can be taken care of, and we would be pleased
to discuss with you how they would be achieved if you just
register your interest and tell us what you want
to learn. Enter the draw for a Thomas Cook Photographer's Vest!
Ask for
access to a gallery from a recent tour.
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Preparation |
Camera Cleaning
Lens Cleaning
Battery Management
Memory Management for digital cameras
Film Management for film cameras
Sensor Cleaning for digital cameras (discussion only) |
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Searching Out Great Light |
Early Assessment of the impact of
weather on photo opportunities
Setting priorities for shooting locations based on light
Understanding the circumstances that make for better light
Preparing for great light - being ready to move fast when it
comes
Getting out of bed early
Knowing when to move on to other subject types
Camera positioning to maximise the light
Watching the sun, the clouds, and the shadows near and far
Using diffusing materials |
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What to shoot when |
Viewing photo opportunities through
the "camera's capabilities"
Knowing what can be retrieved by Image Editing and what cannot
Understanding impact of subject, wind and leaf motion on
shooting possibilities
Thinking through alternative shooting opportunities when
conditions are poor |
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Lens and Equipment Selection |
Assessing subject and conditions
demands on lenses
Understanding shutter speed considerations
Understanding light sensitivity considerations
Making informed compromises
Maximising sharpness and resolution from lens/camera
combinations
Tripod and monopod and tripod head selection and use
Filter choices |
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Composition |
Simplifying composition
Rule of Thirds
Leading Lines
Utilising foreground and background
Isolation using selective light
Isolation using selective focus
Using perspective for effect
Achieving balance
Assessing options and experimenting with different approaches
When to shoot low or get up high |
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Shooting Technique |
Achieving steady shooting
Camera holding technique
Shutter release technique
Understanding camera shake
Effective breathing
Shooting in windy conditions
Appropriate camera settings for brightness, contrast, sharpness
etc.
Choice of filters including polarising filters |
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Exposure |
Use of digital camera histograms to
prevent overexposure
Exposure compensation in automatic modes
Understanding camera metering
Appreciating camera sensitivities and dynamic range
Utilising camera dynamic range
Automatic mode selection
Assessing and correcting for over or under exposure
Knowing which poor conditions can be overcome with image editing
and preparing for that
Using camera AE Lock capabilities
Choosing appropriate image formats |
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Depth of Field and Focus |
Understanding the factors affecting
depth of field
Understanding lens/camera combination capabilities
Differentiating focus issues from DOF issues
Maximising or minimising DOF when desirable
Understanding camera autofocus capabilities
Using camera AF Lock capabilities
Choosing appropriate AF modes for subject and conditions |
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Digital Workflow |
Choosing appropriate image formats
Maintaining image integrity
Understanding and minimising noise and grain
Understanding and minimising compression artifacts
Protecting your image assets - file management techniques
Color Management - ICC profiles, Adobe RGB, sRGB and CMYK Color
Spaces |
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Basic Image Editing Workflow |
Understanding and correcting levels
Understanding and correcting curves
Understanding and correcting brightness and contrast
Basic Image quality assessment
Assessing appropriate print sizes |
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Selective Image Editing Workflow |
Maximising Dynamic Range through
selective editing
How and when to use image editing sharpening
Repairing sensor dust bunnies
Repairing other image problems
Correcting flat skies
Softening harsh lighting effects
Selective levels and curves adjustment techniques
Masking and other layering techniques
Understanding and using options for converting images to black
and white |
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Image Critique and Evaluation |
Assessing Composition
Assessing Creativity and Originality
Assessing DOF and Focus including differentiating camera shake
from motion blur
Assessing color and tonal range
Assessing noise and grain
Assessing exposure/lighting
Assessing the dramatic effect achieved
Assessing the story told |
Of
course the size of the group may well mean we make decisions about what
to focus on given the range of interests across the group and the time
available.
By
discussions en-route to location and on arriving at location, group
members will be given pointers to addressing these issues at each
location, and by moving around group members, each focused on their own
area of interest and with their own difficulties, individual attention
can be paid to each person's challenges. After the shoot, the
opportunities and alternatives will be discussed amongst the group, and
the results achieved assessed. Challenges arising will be
addressed where possible.
Get some tips and tricks
now, and look at our Digital Camera Buyer's Guide
before you go shopping.
Register Your Interest Now! - Enter the draw for
a Thomas Cook Photographer's Vest!
If you're in doubt
Contact Us and ask
- we're only an email or a phone call (0419 900 363) away.
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